- Context of the film
- Infomation about the protagonist
- key themes/issue and plot
- narrative devices and an evaulation over the use
- use and adaption of genre conventions
- authors experience of the film
- summary sentence
This is a review that follows Little White Lies' conventions of what a review should look like.
(Ignore formatting as this is taken from the website version. Typical reviews from Little White Lies come in 3 columns.)
Paragraph 1: An introduction to the film-maker and context to the film.
Paragraph 2: More on the film-maker and also on the themes of the film.
Paragraph 3: More on the film-maker, a bit on the themes of the film and their desired demographic (dad film) and a bit of plot.
Paragraph 4: Introduces main characters of the plot, and their roles.
Paragraph 5: Themes and Genre of the film.
Paragraph 6: About how it conveys its themes and the job the writers played.
Paragraph 7: Steve Neal's repetition and VARIATION mentioned; "see through all that cloak and dagger bullshit", shows a change in the genre of spy films.
Paragraph 8: Conclusion; "Call it the banality of goodness"- the author (Mentioned at the top instead of at the end, a divert from the written copy of LWL)- it shows that the goodness in the film is overused to a certain extent, however it's a good thing in this case- enforced by the ratings that back it up.
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